There's a fine line between showing readers the brutal truth of a situation so that they understand the powerful truth of any story, and showing readers a truth so brutal that readers ignore the point you were trying to make and instead question your judgment.
I can think of no better example of this than the so-called Falling man photo, taken by an Associated Press photographer during the Sept. 11, 2001 terror attacks and published by The New York Times the next day.
This remarkable article from Esquire Magazine in 2003 offers a summation of the complex and contradictory forces at play in deciding if running the image was the absolute right thing or the incredibly wrong thing to do.
If you were an editor on Sept. 11, what would you have done? And why?
Likewise, what would you do if you were a photographer covering an African famine and you came across a starving girl being stalked by a vulture? That was a real-world decision for one photog, and it may have led to his own unfortunate end.
Let's talk it out.
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